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The Centuries: Like Weird!

by The Centuries

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1.
Anniversary Hop 02:10
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2.
Theme of The Centuries 01:48
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3.
Outer Limits 02:13
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4.
Beach Umbrella World 02:54
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5.
Like Weird! (George Raft Theme) 02:25
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6.
Shoop De Hoop Twine (Instrumental) 02:19
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7.
Polynesian Paradise 02:05
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8.
Time Bomb 02:24
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9.
Midnight on Mars 02:00
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10.
Lonely Night 02:32
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11.
Twist Along 01:51
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12.
Surfin' Seahorse 02:09
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13.
Chihuahua Cha Cha 02:05
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14.
Untitled 02:53
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about

The most resonant room in the Newark Public Library in 1958 was the locker room where Gary Swangin practiced his singing. Swangin, a high school student who worked part time at the checkout desk, would often sneak away during breaks to hone his technique and work on an original song, “The Promise of Love”—until he got caught.

When coworker Salvatore Girgenti heard it echoing off the tile and steel, he was so taken that he suggested they play together. With Girgenti on rhythm guitar, they recruited the D’Amato brothers, Charles, who played drums standing up, and Peter on lead guitar.

D’Amato’s neighbor Francis Corragio brought virtuosity to their nascent band, at first playing an amplified upright bass. Corragio had started playing at eleven years old, and by the time of the Centuries he was taking lessons from members of the New Jersey Symphony Orchestra and New York Philharmonic.

The library would prove crucial in another way. Swangin checked people’s books and bags as they exited the building, bringing him into contact with a wide range of folks—including Cleopatra Records’ Tommy Falcone.

By 1960, Swangin’s education at Rutgers University was taking priority and his musical ambitions were expanding.He went on to Columbia University and performed in the Greenwich Village folk scene with a far-ahead-of-its-time fusion of modern lyricism with African rhythms.

With Swangin gone, the band took a sharp turn into new waters rough with surf—losing lyrics but compensating with invention and melody. The Centuries transformed into an instrumental rock group inspired by the space race and Polynesia, becoming Falcone’s very own version of the Ventures with whom to explore the then-burgeoning sounds of surf rock and exotica.

credits

released July 13, 2018

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Cleopatra Records Jersey City, New Jersey

From a basement in New Jersey, Tommy Falcone remade himself into a DIY Phil Spector. From 1962 to 1970, he founded and ran Cleopatra Records. With a whirlwind imagination and an omnivorous approach to genre, Falcone discovered and mentored young Garden State talent, wrote songs and produced wild studio effects, and quit his day job to promote it all himself. ... more

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